You really don’t need to do any research into the composer Mia Brentano. She has concealed her identity intentionally and meticulously, and only wants to be perceived through her music …
“An early candidate for any best-of 2018 list.” (Hans-Bernd Kittlaus, JazzPodium) – “I’d been thinking about heading out to record an album in New York, which for me is the most inspirational jazz source, ever since I did part of my studies there in 2006. Two years ago I heard Clarence Penn again in New York’s ‘Smalls’, and I suddenly decided – I can pull this off! I really wanted to capture that special sound and the energy of the local scene”
The Ed Partyka Jazz Orchestra (EPJO) was launched in Berlin in 2007. Its trademark is an unmistakable, and in all likelihood globally unique, mix of musical personalities. “Old stars” from the European …
Ivan Paduart – born in 1966, the Belgian pianist and composer first sat at the piano as a ten-year-old. At seventeen he discovered jazz, and since then he’s been steadily climbing the career ladder step by step, reaping major awards along the way. He has long been regarded as a fixture on the international jazz scene and has his own …
Paul Heller has proved that he can serve up classic and modern across a number of albums. And on the album Good Times, Paul Heller displays a new aspect; Good Times grooves like hell. The 10 original compositions really make you want to dance!
After a start in the field of jazz-fusion, leading his own group Aftertouch in the eighties, pianist-composer Ivan Paduart sees his main activity in what can be described as modern acoustic jazz. Ivan became in few years, one of the west-Europe’s foremost jazzmen.
Ed Partyka’s Jazz Orchestra (EPJO) was launched in Berlin in 2007 – its hallmark is the distinctive, and perhaps globally unparalleled, mix of musical personalities. All-stars from the European big band establishment play side by side with newcomers from the young and hip jazz scenes of Berlin, Amsterdam, Vienna and Prague. Musicians from the USA, Germany, Austria, Holland, Switzerland and the Czech Republic come together.
Celebrated as the “quintessence of female jazz singing” Ann Malcolm fascinates her audiences with her very personal style and phrasing. She will definitely touch your heart with her unique voice that one does not forget.
Ludwig Nuss played with almost all German radio big bands and made numerous recordings for radio, television and recordings with international and national jazz greats such as Bob Brookmeyer, Bill Holman, Patti Austin, Frank Foster, Rob McConnell, Lalo Shifrin, Phil Woods, Jim McNeely, Maceo Parker …
“Between the years” is the name given to the period that follows on the heels of the Christmas festivities, even before the New Year’s Eve fireworks once again cast a glow on the wintry darkness. And even if this term is not found in any dictionary, it is still generally valid. Everyone immediately associates a very special feeling with this time.
Celebrated as the “quintessence of female jazz singing” Ann Malcolm fascinates her audiences with her very personal style and phrasing. She will definitely touch your heart with her unique voice that one does not forget.
„songs of love lost” is what Ed Partyka calls the joint work, the harmony of the exceptionally talented musicians of his Ed Partyka Jazz Orchestra. From all parts of Germany, from Austria, from Holland and – with Efrat Alony – also from Israel they follow the call of the composer and arranger to meet for recordings in the rbb studios in Berlin, as they did for “Songs Of Love Lost”.
Ludwig Nuss played with almost all German radio big bands and made numerous recordings for radio, television and recordings with international and national jazz greats such as Bob Brookmeyer, Bill Holman, Patti Austin, Frank Foster, Rob McConnell, Lalo Shifrin, Phil Woods, Jim McNeely, Maceo Parker …
The vibrant orchestra was careful assembled from leading Swiss jazz musicians, and can look back on around 350 concert appearances. It also contains many famous leaders and sidemen from Swiss bands of varying styles. In the six years of its existence, the SJO has become a vital part of the Swiss jazz scene, and caters to a growing and varied audience.
It is music which draws one in and awakens a curiosity to discover this mystical place, it invites, even seduces one to plumb the depths of your own soul…
The Ed Partyka Jazz Orchestra (EPJO) was launched in Berlin in 2007. Its trademark is an unmistakable, and in all likelihood globally unique, mix of musical personalities. “Old stars” from the European big band establishment play side by side with newcomers from the young and hip jazz scenes of Berlin, Amsterdam, Vienna and Prague. Musicians from the USA, Germany, Austria, Holland, Switzerland and the Czech Republic get together – each of them brings their own musical language, and adds their unique national sound into the mix.
Celebrated as the “quintessence of female jazz singing” Ann Malcolm fascinates her audiences with her very personal style and phrasing. She will definitely touch your heart with her unique voice that one does not forget.
Ludwig Nuss played with almost all German radio big bands and made numerous recordings for radio, television and recordings with international and national jazz greats such as Bob Brookmeyer, Bill Holman, Patti Austin, Frank Foster, Rob McConnell, Lalo Shifrin, Phil Woods, Jim McNeely, Maceo Parker …
Ludwig Nuss played with almost all German radio big bands and made numerous recordings for radio, television and recordings with international and national jazz greats such as Bob Brookmeyer, Bill Holman, Patti Austin, Frank Foster, Rob McConnell, Lalo Shifrin, Phil Woods, Jim McNeely, Maceo Parker …
George Robert – alto sax
Phil Woods – alto sax
Kenny Barron – piano
Rufus Reid – bass
Alvin Queen – drums
Hamilton has worked with Ella Fitzgerald, Rosemary Clooney, the Count Basie Orchestra, Oscar Peterson, and Ray Brown. He toured with Diana Krall and has played on several of her albums.
George Robert, alto saxophone and clarinet
Phil Woods, alto saxophone and clarinet
Kenny Barron, piano
Ray Drummond, bass
Bill Goodwin, drums
Celebrated as the “quintessence of female jazz singing” Ann Malcolm fascinates her audiences with her very personal style and phrasing. She will definitely touch your heart with her unique voice that one does not forget.
Ludwig Nuss played with almost all German radio big bands and made numerous recordings for radio, television and recordings with international and national jazz greats such as Bob Brookmeyer, Bill Holman, Patti Austin, Frank Foster, Rob McConnell, Lalo Shifrin, Phil Woods, Jim McNeely, Maceo Parker, Slide Hampton, Vince Mendoza …
New York bassist/composer and bandleader Ben Wolfe’s music has been described as “Mingus and Miles Davis meet Bartok and Bernard Herrmann” (Ben Ratliff – The New York Times). Acclaimed by some of the jazz world’s most respected critics for his “wit and cool intelligence” and signature “innovative, melding of hard-swinging jazz quartet, outstanding guest soloists and classical string quartet.”,
Jeff Hamilton (born August 4, 1953) is an American jazz drummer, who is co-leader of the Clayton-Hamilton Jazz Orchestra.
Martin is well known for his work as a lead player and featured soloist with virtually every big band in L.A.
New York bassist/composer and bandleader Ben Wolfe’s music has been described as “Mingus and Miles Davis meet Bartok and Bernard Herrmann” (Ben Ratliff – The New York Times). Acclaimed by some of the jazz world’s most respected critics for his “wit and cool intelligence” and signature “innovative, melding of hard-swinging jazz quartet, outstanding guest soloists and classical string quartet.”,
Jeff Hamilton (born August 4, 1953) is an American jazz drummer, who is co-leader of the Clayton-Hamilton Jazz Orchestra.
She’s been called everything from a “Cult figure” and an “uncompromising artist,” (Earshot Jazz) to “the greatest living jazz singer,” (Herb Ellis). As one of the few improvisers in vocal jazz to master the vocabulary, Nancy King has “indefatigable scat chops and a remarkably elastic range.” (The Oregonian)
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